Author: Seán Burke
Publisher: Edinburgh University Press
Keywords: authorship
Number of Pages: 384
Published: 1995-04-15
List price: $50.00
ISBN-10: 0748606181
ISBN-13: 9780748606184

This comprehensive reader provides a solid theoretical base for all students of authorship, with key writings by Plato, Shelley, Freud, Eliot, Derrida, Barthes, Sartre, Foucault, Descartes, Nietzsche, and Borges.

Author: William Spiers
Publisher: BiblioLife
Keywords: pentateuch, authorship
Number of Pages: 416
Published: 2009-10-03
List price: $30.99
ISBN-10: 1115807579
ISBN-13: 9781115807579

The book has no illustrations or index. It may have numerous typos or missing text. However, purchasers can download a free scanned copy of the original rare book from the publisher’s website (GeneralBooksClub.com). You can also preview excerpts of the book there. Purchasers are also entitled to a free trial membership in the General Books Club where they can select from more than a million books without charge. Original Publisher: London : Charles H. Kelly; Publication date: 1895; Subjects: History / General; History / General; Religion / Biblical Studies / General; Religion / Bib

Author: Christien Franken
Publisher: Palgrave Macmillan
Keywords: creativity, authorship, art, byatt
Number of Pages: 184
Published: 2001-08-18
List price: $105.00
ISBN-10: 0333801083
ISBN-13: 9780333801086

This book considers the work of the novelist and critic A.S. Byatt in the context of contemporary debates about art, authorship, creativity, and gender. A.S. Byatt emerges as an author who presents us with fascinating and ambivalent portraits of writers and who uses metaphors of creativity in original ways.

Author: Jack Boozer
Publisher: University of Texas Press
Keywords: adaptation, film, authorship
Number of Pages: 384
Published: 2008-07-15
List price: $27.95
ISBN-10: 0292718535
ISBN-13: 9780292718531

Authoring a film adaptation of a literary source not only requires a media conversion but also a transformation as a result of the differing dramatic demands of cinema. The most critical central step in this transformation of a literary source to the screen is the writing of the screenplay. The screenplay usually serves to recruit producers, director, and actors; to attract capital investment; and to give focus to the conception and production of the film project. Often undergoing multiple revisions prior to production, the screenplay represents the crucial decisions of writer and director tha

Author: Paul Well
Publisher: Wallflower Pre
Keywords: cuts, short, authorship, genre, animation
Number of Pages: 144
Published: 2002-02-15
List price: $20.00
ISBN-10: 1903364205
ISBN-13: 9781903364208

Animation: Genre and Authorship is an overview of the distinctive language of animation, its production processes, and the particular questions about who makes it, under what conditions and with what purpose. Arguably, animation provides the greatest opportunity for distinctive models of "auteurism" and revises generic categories. This is the first study to look specifically at these issues, and to challenge the prominence of live action movie-making as the first form of contemporary cinema and visual culture. Including extensive analysis of individual animators and their operation within stud

Author: Gerald Peter
Publisher: University of Massachusetts Pre
Keywords: narrative, conversion, authority, authorship, god, mutilating
Number of Pages: 192
Published: 1994-01-01
List price: unknow
ISBN-10: 0870238914
ISBN-13: 9780870238918

Presents a genealogy of the uses of conversion narratives in linking individual identity to various forms of social authority. Drawing on theories of Freud and Lacan, Peters traces the evolution of the conversion narrative from primitive initiation rituals to poetic uses in modern literature.

Author: Jack Stillinger
Publisher: Oxford University Press, USA
Keywords: genius, solitary, myth, authorship, multiple
Number of Pages: 272
Published: 1991-08-15
List price: $120.00
ISBN-10: 0195068610
ISBN-13: 9780195068610

This is a study of the collaborative creation behind literary works that are usually considered to be written by a single author. Although most theories of interpretation and editing depend on a concept of single authorship, many works are actually developed by more than one author. Stillinger examines case histories from Keats, Wordsworth, Coleridge, Mill, and T.S. Eliot, as well as from American fiction, plays, and films, demonstrating that multiple authorship is a widespread phenomenon. He shows that the reality of how an author produces a work is often more complex than is expressed in the